Weekly world fiction

Lore of MadROM

The Words Under Thera

In the Great Tomb of Ancient Knights, a historian keeps saying the same wrong sentence until the stones begin to answer.

The historian had forgotten her own name before she forgot the order of the dead.

That was what frightened her most. Names were easy things to lose. A name could be misplaced in a ledger, swallowed by a wedding, shaved down by a nickname, buried under a title until even the person wearing it stopped turning around. But order was sacred. The first knight rested beneath the first mural, the second beneath the cracked lamp, the third beneath the pot that glowed without flame. Their swords crossed their ribs at precise angles. Their jewels were arranged in old ceremonial patterns. Their peaceful faces held the same expression day after day, as if the Land had pressed a thumb against each brow and commanded stillness.

She checked them every morning.

One, two, three, seven, five.

She stopped.

The gravelling pots swung very slightly overhead, though there was no wind in the mausoleum. Their soft light moved across the muraled walls, making old painted horses seem to step forward and back. The great stone arch behind her hummed with its usual patient power. At the foot of the spiral stair, the air remained fresh as the world above, which was wrong in the ordinary way this place was wrong. Wrongness did not concern her anymore. Change did.

"Bowulo iyo ovo ef yurrewoon," she said.

The words came out before she could stop them. They always did. Visitors thought she was muttering. Some laughed. Some backed away. One had tried to write it down and found his ink running up the quill into his hand.

She walked to the fifth tomb, which had become the seventh without moving. The knight inside lay with arms crossed and sword at rest. Grand trappings and jewels remained in place. His face still held peace, but it was no longer the peace of sleep. It was the peace of someone listening.

"Fel ti bloods deemsduh noul," she whispered.

On the wall above him, a painted banner showed a white tower she did not remember seeing before. She knew every scene in the tomb. She knew the banquet with the red cups, the siege of the hill road, the river crossing, the funeral procession with no coffin. There had never been a white tower. There had never been a little black window in the tower's highest room. There had never been a woman in that window looking down into the mausoleum with the historian's own terrified eyes.

By noon, she had reordered the ledgers three times. The pages refused her. Names crawled out of their columns when she looked away. Sir Avenel became Sir Avening, then Sevening, then a line of scratches that hurt to see. She pressed her palm flat over the page until the paper warmed beneath her hand.

The rift in the corner made no sound. That was new too.

It had always whispered. Not words exactly, but a pressure like distant water behind a wall. Today it sat open and silent, a seam without breath. The historian approached it only far enough to see that the dust around its edge had been disturbed from the other side.

"Grewtng palpro und gloon," she said.

The nearest pot went out.

Darkness fell in a clean circle around one tomb. The knight within did not move. Nothing rose. No skeletal hand gripped the stone lip. No voice spoke. Instead, a single letter appeared on the coffin lid, cut fresh into granite: O.

The historian laughed once, sharply, and clapped both hands over her mouth. It was not funny. It was not funny that the dead had begun spelling. It was not funny that she understood less with every letter they gave her.

At dusk, she found the first knight again. He had returned to his proper place. His face was peaceful. His sword was straight. His jewels were correct. Above him, the mural showed no white tower, only the old hill road and the old painted riders.

Only the ledger remained changed.

Between the first name and the second, in a line she had not written, stood a word she could almost read. It was not in any language she knew, though she had apparently been speaking around it for years. She touched the ink. It flaked like old ash.

"Felosoo iyo faialo iyleagy iyts leem," she said, because the tomb required it.

Far below the sound, somewhere under stone, under memory, under Thera itself, something answered by putting the extinguished pot back to flame.

Gale's Paper Stack

In the Dragon Cult offices, the neatest desk in the temple starts tracking what no one wants counted.

Gale arrived before the receptionist unlocked the front door and before Jack the PR Director began smiling at anyone he could trap in the sales booth. That was the only hour when the office made sense. The waiting room chairs sat in rows. The coffee tables held magazines nobody had yet pretended to read. The brochures in the tourist office still formed clean stacks beneath the plaque, every one of them promising cool robes, free tickets, and all the other benefits of belonging to something that called itself a temple when visitors were nearby.

She carried the new appointment book against her chest and crossed Dragon Hall without looking too long at the paintings. The dragons always won in those scenes. That was not the troubling part. The troubling part was that the painted soldiers seemed to be standing farther back than they had last week, as if even old pigment had learned caution.

In her office, everything had a place. Papers low. Certificates high. Ink to the right. Incoming forms in the tray marked TODAY, outgoing forms in the tray marked LIE BETTER. Fred called that humor. Gale called it filing.

By midmorning, the organization was moving at full ugly speed. A shrill ringing sound came from the main office. Fred shouted from his mess of cigar butts and random junk. Jack tried to explain the organization to a traveler who had only asked for directions. Marie slipped into the break room for coffee and returned with a look that said she had smelled the basement again. Two minor priests scuffled past in dark robes, their staffs tapping the floor a little too fast.

"Inventory variance," Gale said.

Nobody stopped, so she said it louder.

The old monk from the candy shop finally appeared with his list. Dragon Candy, Zombie Candy, Lich Candy, and the other strange little pills were all present in their jars, but the Dragon Candy had been handled. Not stolen. Handled. Seven pieces had black dust pressed into their wrappers, and one wrapper held a fleck of green no larger than a grain of salt.

Gale sealed it in a folded memo and wrote NO ACTION REQUIRED across the top, because that was the only way Fred ever read anything twice.

After lunch, the High Priestess sent down a request for revised sacrifice timing, three replacement robe orders, and a note asking why the Black Dragon Wyrmling had refused its morning feeding until the steel door was shut again. The note smelled faintly of ash. The handwriting had pressed so hard through the page that Gale could feel every letter from the back.

Outside the glass wall of her office, Bob passed with a black pen behind one ear and a face full of explanations. Gale let him keep walking. Explanations were where facts went to die.

She made her rounds at dusk. Waiting Room, presentable. Tourist Office, brochures restacked. Dragon Hall, paintings unchanged except for a tiny empty space on one battlefield where a green smear might once have been a wing. Shrine candles, steady. Place of Worship, chalk circle intact. Priests' Quarters, neat except for dirt around the loose tile. The downward tunnel breathed up the stench of human flesh and old danger, and Gale did not go down.

Back at her desk, she copied the day's final numbers into the ledger. Appointments missed: four. Robes requested: three. Candy variance: one trace. Wyrmling agitation: continuing. Public incidents: none.

That last line was the important one. Public incidents were what turned halls into mobs and offices into ruins.

Gale sharpened her pencil, squared the papers, and listened to the temple settle into its night sounds: chants below, sales talk above, claws somewhere behind steel. On the corner of her cleanest form, where no one else would notice, a single green speck caught the lamplight and went dark.

The Beat Cafe

A bad poem in Midgaard catches the first ash of a larger story.

The beat poet woke on a cushion that did not belong to him, beneath a wall of frantic writing nobody in the cafe had finished reading. He knew this because he had tried, once, after three mochas and a dare from the quickling. The words had started out holy and ended up crawling into the machinery of night, and by morning he had decided that all great art was either prophecy or bad handwriting.

His bongo drum sat between his knees. He tapped it once, softly, to see if the day was still hollow.

North, Market Road breathed dust through the doorway. Midgaard was waking in its usual order: merchants first, guards second, trouble whenever it felt like it. Somewhere beyond Common Square there was a grate, and beyond that, the dark places people only mentioned when they were trying to sound brave. The poet knew the map by rumor: Dragon Cult, Rats Lair, Grubby Inn, Dump, South Bridge. Every city had a heart, but Midgaard had several, and most of them beat under floorboards.

He looked past the first customer of the morning with grey eyes under his black beret and gave the room what it had paid nothing to hear.

"Girl---friend," he said. "My---friend?"

The customer winced. Good. Art had entered the body.

Luthor poured coffee with the calm of a man who had seen worse than verse before breakfast. The quickling shook on the floor and asked six questions without waiting for any answers. The poet smoked, coughed, and watched the black-clad regulars pretend not to listen. They always listened. That was the cafe's central lie.

Around noon, a traveler came in smelling of river fog and burnt leaves. Not smoke. Not exactly. Burnt green things. The poet noticed because poets notice what civilized people step over. There was a scale caught in the traveler's cuff, no bigger than a thumbnail, green as old bottle glass and rimmed with black. When the traveler sat, the room went briefly quiet in the way rooms do when everyone hears the same sound but no one agrees to name it.

"Bad crop year south of the bridge," the traveler told Luthor. "Fields yellow at the edges. Crows won't land."

"Crows are critics," said the poet.

Nobody laughed, which meant he had accidentally said something true.

By evening, the scale was gone. Maybe swept away. Maybe pocketed. Maybe never there. The poet tapped his bongo until the cafe became a little storm of fingers, cups, boots, breath. He thought of the Dragon Cult marked in the city's southern gossip like a stain no washing could lift. He thought of green fire, though he had never seen any. He thought of fields yellowing for reasons farmers would blame on weather, taxes, gods, wives, and soil before they blamed the absence of one old terror from the sky.

Then he stood, because standing made even nonsense sound official.

"She's jag---ged," he told the room. "And blas---ted."

A bar maid rolled her eyes. Luthor polished a mug. The quickling whispered, "Groovy, maaaaan," to nobody at all.

Outside, Midgaard kept moving. Guards watched gates. Thieves watched guards. Somewhere south, something that should have been afraid was not afraid yet.

The beat poet beat his drum again, softer this time, and listened for the answer under the city.